In his recent review of Manchester by the Sea, New Yorker critic Anthony Lane posits the following about the film's musical centrepiece: "Should Albinoni's Adagio in G Minor not be banned onscreen?" ...
This is the 16th of these monthly columns about £1 classical music records. I’ve learned so much researching them, but let me tell you: there haven’t half been times when I’ve found myself staring ...
Film soundtracks from Flashdance to Gallipoli have called upon the stately spare sadness of Albinoni’s Adagio, so much so that it has been denuded of meaning. The work itself isn’t even authentic.
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