"Avatar" and "Star Trek," with three noms each, lead the list of nominations for the Motion Picture Sound Editors 2010 Golden Reel Awards. By Gregg Kilday, The Associated Press “Avatar” and “Star Trek ...

The sci-fi forces struck again as the Cinema Audio Society announced its nominees for the 46th CAS Awards for outstanding achievement in sound mixing. By Gregg Kilday, The Associated Press The sci-fi ...

This article is presented in partnership with Nickelodeon and appears in the Den of Geek x Avatar: The Last Airbender special edition releasing in mid-July. For two decades, the lush songs and sounds ...

Add Yahoo as a preferred source to see more of our stories on Google. Normally, a production sound mixer would be responsible for recording sound on the set of a film as it was being shot. But "Avatar ...

For a production sound mixer working on a typical production, four months might encompass the length of the entire shoot. On "Avatar: Fire and Ash," production sound mixer Julian Howarth spent four ...

When the show premiered 20 years ago, its storytelling, animation, and world-building were groundbreaking, but its score elevated Avatar to an entirely new level. Just hearing the opening chords of ...

Now that you've seen it, what did you think? This truly is a movie more than 10 years in the making. It was 1997 when James Cameron directed his last feature film, but now he's back with the epic new ...

The Motion Picture Sound Editors certainly know how to spread the wealth. Five different feature films won awards in six categories on Saturday night at the organization’s Golden Reel Awards ceremony ...

For a production sound mixer working on a typical production, four months might encompass the length of the entire shoot. On "Avatar: Fire and Ash," production sound mixer Julian Howarth spent four ...

This interview with “Avatar: The Way of Water” sound mixer Julian Howarth first appeared in a special section of the Below-the-Line issue of TheWrap’s awards magazine. Normally, a production sound ...

Production sound mixer Julian Howarth talks about the complexities of recording sound underwater and in the world of Pandora, and why it was worth spending four months figuring out one sound.