Premiering a new work of music — let alone a work of “new music” — is a bit like striking a match: The release of its potential relies entirely on the moment of execution. That is, it needs to ignite ...
The Albanian soprano, who has won over audiences on both sides of the Atlantic, fell in love with “La Traviata” at 14. By Rebecca Schmid Nedda, the leading female character of Leoncavallo’s “Pagliacci ...
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