Jean Marais’ journey through the underworld gains new strangeness and rapture in this restoration of Jean Cocteau’s 1950 Orpheus myth Jean Cocteau’s Orphée from 1950 is now re-released nationally, as ...
IN 1993 I attended the premiere of Philip Glass’s opera “Orphée” at the American Repertory Theater in Cambridge, Mass., and was unimpressed. The production, by Francesca Zambello, was striking, and ...
Ensemble Parallèle, a San Francisco company devoted to contemporary chamber opera, scored a full-on triumph over the weekend with two performances of Philip Glass' "Orphée" at the Herbst Theatre.
The authors do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their ...
The more you ponder the organic marriage of music and dance in Orphée⁺, Against the Grain Theatre’s co-production with Opera Columbus and the Banff Centre for Arts and Creativity, the more you begin ...
Three versions, spanning almost four centuries from Rossi’s 1647 Orpheus to Little Bulb Theatre’s 21 st-century production, punctuate the current Royal Opera House season, starting with Gluck’s Orphée ...
The underworld actually sounded quite lovely on Sunday night at George Washington University’s Lisner Auditorium. Credit goes to the Washington Concert Opera, which spruced the place up with a concert ...
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From the off, as director Netia Jones (in her ENO debut) tells us, Glass and Cocteau have drawn us into a hall of endlessly reflecting mirrors, a game of shadows and doubles in which each story and ...
Atmospheric staging of a magical fusion of French baroque and modernity Best known to the wider world for the opening flourish of his Te Deum – in other words, the Eurovision fanfare – Marc-Antoine ...
The 2022-2023 season is the first for the Edmonton Opera since its pandemic shutdown in March 2020. Globally, the pandemic forced performers to abandon live performance. After it became clear that ...