Emma Lucia and Ship Says Om talk through “Djuphjärtad,” a collaborative EP blending Nordic folk with ambient textures and ...

When Purling Hiss’ Mike Polizze released his second solo album, Around Sound, in 2025, KLOF Mag’s Danny Neill declared “Where he travels next may be as hard to predict as ever, but if the results are ...

Le Ren’s “Don’t Be Funny Without Me” is a phenomenally powerful album. The arrangements expand beyond the spareness of her earlier releases, with fiddle, drums and layered harmonies; this is one you ...

Baby Dee’s “Child of Joy” reworks her songs for accordion — preciously intimate and impossibly vast, the perfect antidote to ...

Allison de Groot and Rich Ruth have today shared their second single, ‘Distance From Then’. With its earthy birdsong opening ...

The Male Pattern, the project of Queens songwriter, novelist and English professor Will Schwartz, shares “Charlie (The ...

David Murphy & Ether Ensemble rework Led Zeppelin’s “The Rain Song” for pedal steel — a charity single for Doctors Without ...

Josienne Clarke premieres her new video for “Green Grow the Laurels”, directed by Alec Bowman_Clarke, and announces her new ...

Jon Wilks marks fifty years of Martin Carthy’s “Crown of Horn” with his own rendition of “Geordie,” out September 4th. A long ...

Sometimes a project has so much potential, so much more to give beyond its original iteration, that it seems to take on a life of its own. This is certainly the case with Spell Songs, which can trace ...

Patrick Cummins and John Francis Flynn debut as Paahto & The Bull with “The 123” — ten Irish traditional guitar duets, tremendous and full of confidence.

I’ve gotta level with you. I’d never heard of Marvin Tate before I was sent Controlled Burn for review. His name sounded like he might have played right back for Preston North End in the early 2000s.