Ryan J Haddad's first full ensemble play at the Public tells the bittersweet intergenerational story of the theatre-loving ...

In celebration of Spiderwoman Theater’s 50th anniversary, this global festival brings Indigenous artists to NYC.

A nonprofit turnaround specialist makes an evidence-based case for spinning off mission-driven new work from theatres’ board-supported mainstage programming.

The author of this intriguing meta-play, the full script of which appears in our Fall 2026 issue, talks about its inspirations and its unique form.

Yes, it’s a play named for a kind of mouse trap, but it’s got nothing to do with Agatha Christie. Nadia Hopkins’s Humane Traps, the recipient of this year’s Relentless Award, is a weirdly funny, ...

Declining full season subscriptions look like a shift in what patrons want. Look closer, and it’s usually a shift in what we’ve been selling them. Ask 10 theatre leaders whether subscriptions are ...

This month Brian talks to the 13P founding member about her journey from journalism to acting to playwriting, her definition of success, and how Lucy Thurber helped her overcome imposter syndrome.

The opening of Thomas Dixon Jr.’s play The Clansman on Oct. 22 at Philadelphia’s Walnut Street Theatre is met with protest by a local group of Black citizens and clergymen. Led by the first Black ...

OAKLAND, CALIF.: The Network of Ensemble Theaters (NET), a national solidarity network of ensemble-based theatremakers, collectives, and collaborators, has announced NETWeek Bay Area in Oakland and ...