Ahead of the UK release of his acclaimed new film Possible Love, we pick a beginner’s path through the work of South Korea’s master of slow-burn drama and the emotional gut-punch.
Alejandro González Iñárritu’s big, unsubtle film about an impending climate catastrophe caused by reckless oil drilling is short on laughs, but has a powerful weapon in Tom Cruise’s barnstorming ...
The BFI has announced its latest UK Global Screen Fund awards. Financed through the UK government’s Department for Digital, Culture, Media and Sport ( DCMS ), the awards allocate a further £1,233,203 ...
With Na Hong-jin’s action-packed creature feature Hope currently in cinemas, we celebrate the peaks of South Korean sci-fi since the turn of the millennium.
At his LFF Screen Talk, the acclaimed actor reflected on fame, craft and queer representation as he discussed Elsinore, his deeply personal new film about the late Hamlet star Ian Charleson.
Andrew Garfield leads the 1381 Peasants’ Revolt in a historical drama from Paul Greengrass that keeps the action moving, but loses its character development in the mud.
Talking at her LFF Screen Talk, Coppola spoke about the importance of point of view, a key purchase in a London record shop, and why she thought no one would like Lost in Translation.
October brings subscription exclusives for David Cronenberg’s The Shrouds and Damiano Michieletto’s Venetian drama Primavera, plus films from Dario Argento, Charles Burnett and Isaac Julien.
Marking the UK debut of the Displacement Film Fund’s first five shorts, Cate Blanchett and filmmaker Shahrbanoo Sadat talk creative risk, resilient communities and the importance of bringing displaced ...
For a special 1995 Sight and Sound supplement on film censorship, the writer and director of The Devils detailed his ambitions for the film – including his rationales for its most scandalising scenes ...
Released during the band’s heyday but swiftly forgotten, Take It Or Leave It recreates the rise to fame of one of Britain's best loved pop bands. As the film is re-released in 4K for cinema and DVD, ...
The then British Board of Film Censors was not the only obstacle to Ken Russell's conception of The Devils in the 1970s – and nor was it monolithic in its judgement. Linda Ruth Williams reveals the ...