Emma Lucia and Ship Says Om talk through “Djuphjärtad,” a collaborative EP blending Nordic folk with ambient textures and ...

When Purling Hiss’ Mike Polizze released his second solo album, Around Sound, in 2025, KLOF Mag’s Danny Neill declared “Where ...

Le Ren’s “Don’t Be Funny Without Me” is a phenomenally powerful album. The arrangements expand beyond the spareness of her ...

Baby Dee’s “Child of Joy” reworks her songs for accordion — preciously intimate and impossibly vast, the perfect antidote to ...

Allison de Groot and Rich Ruth have today shared their second single, ‘Distance From Then’. With its earthy birdsong opening and unadorned banjo and violin, Ruth soon creates a whole world around it.

The Male Pattern, the project of Queens songwriter, novelist and English professor Will Schwartz, shares “Charlie (The ...

David Murphy & Ether Ensemble rework Led Zeppelin’s “The Rain Song” for pedal steel — a charity single for Doctors Without ...

Josienne Clarke premieres her new video for “Green Grow the Laurels”, directed by Alec Bowman_Clarke, and announces her new ...

Jon Wilks marks fifty years of Martin Carthy’s “Crown of Horn” with his own rendition of “Geordie,” out September 4th. A long ...

Patrick Cummins and John Francis Flynn debut as Paahto & The Bull with “The 123” — ten Irish traditional guitar duets, ...

I’ve gotta level with you. I’d never heard of Marvin Tate before I was sent Controlled Burn for review. His name sounded like he might have played right back for Preston North End in the early 2000s.

Temple Songs is an album of deceptive simplicity, wherein even the cover art, with Laura Veirs‘ smiling face glowing on the front, suggests a mood far lighter than the complexity of emotions within.