In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and ...

“The destruction I saw there was astonishing.” A detailed account from a doctor who, during the brief ceasefire, spent nine ...

Harvey’s frames portray a convergence of human and natural action, not to synthesize or balance the two but to show the possibilities when vision and composition amplify the magic of the natural world ...

New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...

In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and ...

A professor at M.I.T. on how Xi Jinping is likely to respond to U.S. tariffs and why the standoff won’t weaken the Chinese ...

Also: Adam Gopnik on where to eat near the Frick; Sondheim and Chekhov, Marisa Tomei and Lucas Hedges on stage; the kinetic ...

From the daily newsletter: as the Administration flirts with contempt of court, two federal judges are trying to uphold the ...

Ryan Coogler’s vampire movie mines vampirism’s symbolic potential to tell a tale of exploitation and Black music in ...

In the ruins of a health-care system, many medical facilities have become graveyards. Doctors continue to deliver lifesaving care—but they risk their own lives in the process.

New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...

People who love Phish do so with a quasi-religious devotion. People who dislike Phish do so with an equal fervor.