Sometimes it feels like modern technology has given us the worst of both worlds. We have the capacity to be constantly ...

So this is how the world ends: not with a bang, but with a bunch of French politicians arguing with each other in a meeting ...

It was notable at this year’s Cannes how many movies re-examined France and the Second World War. It’s been obvious for some years now how the French film industry has been retelling its own stories ...

The most shocking thing in Parallel Tales is Isabelle Huppert lighting a cigarette with a toaster. There’s a sense of unpredictability in that one moment that the rest of Parallel Tales was aiming for ...

Movie revisionism runs on a very simple premise: give a flop enough time, and somebody will eventually decide it was misunderstood. The bombs of yesteryear will be embraced as bold pieces that were ...

Alicia Vikander has had an impressive year of making extremely interesting choices but, with the noble exception of Hope, unfortunately those choices have not worked out. Some of that is because of ...

Director Matt Sukkar is probably best known for the acclaimed documentary short, Durango, but he has recently turned his eye to features. In Sukkar‘s debut, The Deputy, viewers follow Toby, a very ...

For some reason, possibly enabled by all this modern technology, it’s become a common belief that parents own the lives of their children from the moment of their conception to the moment of death.

In the UK Sense and Sensibility has a U rating – suitable for all – which is the equivalent of an American G rating. For a movie about the romantic travails of two adult sisters this is an incredible ...

There was an unusual preoccupation with performance art at this year’s Cannes Film Festival. Perhaps this is because performance art is by definition tied to a specific place, people and moment, ...

Emmanuel Marre won the Best Screenplay Award at this year’s Cannes Film Festival for A Man of His Time aka Notre Salut, because it does the impossible: it is a comedy about the slide into fascism. But ...

The end credits confirm genAI was used for parts of Titanic Ocean. This is a disgraceful choice by writer-director Konstantina Kotzamani because it insults all the hard work of her cast and crews.