In this edition of Leia's Lens, Leia set out to find out how three Atlanta arts organizations found a way to thrive in ...
EN Dillard curated "Skeletons Become Children," an exhibition inspired by the Egyptian Book of the Dead. He sought 23 artists ...
The Johns Creek Symphony Orchestra assembled Friday, October 9, at the Sandy Springs Performing Arts Center for Taking Flight, an evening of Tchaikovsky and Stravinsky introduced by what proved to be ...
When it comes to an absence of minority voices in a given artistic field, some people complain about a lack of representation ...
It’s Banned Book Week again, and the news isn’t great. According to PEN America, 11,982 books were banned last school year, ...
Each week, ArtsATL delivers a critic’s short list of the shows, exhibitions, concerts and events we recommend for the coming ...
It’s October again, which means the spooky season is upon us. This year brings a wealth of Georgia-centric titles, from folk ...
As a concert experience, the musical Mexodus, onstage at the Alliance Theatre until October 16, is an incredible artistic feat. The music is rousing and remarkable, every bit of it built onstage by ...
Featured contributor Jamaal Barber joins us to talk about printmaking, MTV/Smithsonian’s The Exhibit and amplifying Black ...
How does art serve as a vehicle for processing trauma, and how can a process as messy as that be translated to the stage?
As a Kenyan living in America, Grace Kisa never identified as Black. Her identity had already been named. To Kisa, the Black experience, though beautiful, is distinctly Black American, shaped by a ...
Results that may be inaccessible to you are currently showing.
Hide inaccessible results